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Lazy K -
Female DJ Extraordinaire
1//28/05 - LatinRapper.com
exclusive interview
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Beautiful,
brash and talented is the only way to describe DJ Lazy
K. Born in Mexico, Lazy K would find herself in
Europe before winding up in New York and falling in love
with Hip Hop DJing.
There were
constant obstacles in an occupation dominated by men,
but Lazy K persevered and made a name for herself as a
battle DJ and mixtape pioneer. Her hard work has
paid off in the form of being named best female mixtape
DJ through various awards, and is considered the best
female hip hop DJ in the world.
Lazy K took
time out to speak with Latin Rapper about her
experiences, helping major rappers get known, and why
its time to be known in our exclusive interview.
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LatinRapper.com: What are you working on right now?
Working on making beats, I work for a production
company. Artist development, and I stay in the clubs.
For being a known DJ you're pretty low profile. Does
anyone become surprised when they find out your
ethnicity?
They think I'm Black but I'm not, I'm Mexican and
French. Yeah, they get surprised, they be more surprised
when I DJ though (laughs). A lot of times I [also]
get "oh sh*t I didn't know you was a girl", like out of
state, or out of country.
Do you speak Spanish?
Yeah, and French.
Didn't you live in Spain?
Yeah, I was raised in Spain. I was born in Mexico, then
I moved to Spain. In Madrid, and then I moved to
Geneva, Switzerland for 2 years. Then from there I
came over here when I was 16, that's when I started
DJing, and it's been good. It's a lot of hard worked but
I'm still trying to get on the radio and get where
people can see what I look like, and get a lot more
appreciation for what I do, so that's my next step: get
on the radio and TV.
Do you feel its important to rep your background in
what you do?
It's important for me because I feel like I opened the
doors for female DJs. When I started it was a very
male area. Was a lot of hard work to get played
because I was Hispanic or because I was a girl. I see
more female DJs around, so its good. I love hip
hop, that's my main thing. But I also love my
Spanish music, I play
reggaeton in clubs, I played Deep
in New York, I rocked it. Up in Patterson, New Jersey.
I do some hip hop, then reggae R&B, then reggaeton. I do
the same thing with the hip hop that I do with reggaeton.
I produce too, I write too, I write in Spanish so maybe
hopefully I can do that. That's a new door I'm
trying to open now, Spanish market, I gotta find a way
to break that market.
I'm very positive, I'm very happy, I learned through the
years. I lived in jersey, I learned a lot but I'm still
me and I'm still trying to break out. I wanna do
something good with this music, I wanna make my goals.
I'm very talented, not just DJing, just gotta connect
with the right people at the right places. Get a radio
job, somewhere they can hear me.
You won best female mixtape DJ in 2003, and many
consider you to be the best female DJ in the world.
Is that a label you're okay with?
I already am. I carry the torch. And I'm proud of me,
I'm proud of taking it there. I came from another
country, another language, I learned to grow and learned
the culture here and the language and also the music. I
learned all of that, and when I accomplished that, to me
it was a dream come true. But it's a goal I achieved,
and now I have different goals. I gotta let people not
just hear the name but see the face, to feel what I
feel. And I feel like the music is good but also
changing, it needs something new, every generation comes
with a change. I feel like this is my generation, I
gotta accomplish something. Whether it's production or
coming out with a mixtape album or a TV show. Mixing
cultures, I'm always gonna love hip hop 'cause that's my
heart, but there's a lot of people in this world that
loves this music and got different styles.
What is it that sets Lazy K apart from other DJs,
particularly female DJs?
I'm well packaged, I'm very marketable. I can be a
model, I know I'm different. First of all I'm the
initiator. I set things up. I seen a lot of females
coming and going, I think I pursue my job, I'm still
doing it. The difference is, I'm talented, I know my job
real good, I can rock with any type of crowd, I can come
with one crate and then just adapt to the crowd. I can
adapt to Jamaicans, Japanese, Spanish, White, I can
adapt to where it doesn't matter the situation or the
place or the club. I'm a crowd pleaser, I rock the mic,
I talk. A lot of people stop and stare for a good five
minutes, then they're dancing. At the end of the night
the ladies are like, "damn we need more females like
you, you know what to play to keep me dancing all
night". When I do a party, its energy, like I
charge myself. You know when you run on low batteries, I
do a party and the next day I feel good. I like to make
people dance, I like to make people feel happy. I don't
play what I wanna play, I follow the crowd. I can
probably do the parties in French, or in Spanish, you
know.
Do you feel that as a female DJ that you should put
out a positive portrayal of women in hip hop?
Yeah, that's what I'm trying to do. That's why I'm
with Murda Mami Entertainment, I'm trying to make it
happen. Do for each other. Remy Martin, Rah Digga,
Shawna from Disturbing The Peace., I put on the other
DJs like
DJ Lady Tribe in L.A., Mami Chula from ATL, I
show them love. Try to break that, [because] New York
DJs, female DJs, stick to themselves.
When did you first get into DJing and making tapes?
I started DJing in '91, and I first was aiming for the
DJ battles, competitions, so I learned how to battle
other DJs. I started doing tapes, the guys used to buy
my tapes for $10. I started making a living out of that.
And then from there I took them uptown, New York, I just
put my number on a mixtape and other people would call
me to get my mixtapes. My tapes started to get
played, I was getting new artists. I was very hardcore,
I was harder than any other male mixtape DJ out there. I
used to play records, switch them fast, crash, blend,
mix, I was trying to be better than what they were so I
could get attention. And now, 12 years... 12
years...since I started DJing, and I was doing mixtapes
since '95, '96, that's like nine years. And if I have to
do it again, I'll do it all over again (laughs)
I copped my first Lazy K mixtape in ‘96, whats the
difference between what you're doing now and what you
were doing back then?
There is no difference. Maybe the selection of the music
is different, I was very hardcore back then, I'm not
gonna say mad... But it's been already nine years of the
same old songs, I have a 12 year old daughter so I'm
trying to change the records that I play. I'm trying to
play more positive music instead of hardcore music. I'm
probably just better now. There's a difference, before
it was a tape, now it's a CD (laughs), big difference.
How have mixtapes changed since that time, as far as
sales to helping artists become established?
Well, mixtapes definitely help the artist out, I find
that you create your own buzz. You gotta hot chance to
get signed to a label. But I think mixtapes are the
future of an album now. I see a lot of artists
that don't need a DJ to put out a mixtape, you just need
a good set of Pro Tools, a good engineer. But
that's why I think its overcrowded right now. And
it's a lot of music that's no good, a lot of no-good
mixtapes.
Kay Slay and Flex are household names in Hip Hop.
When will Lazy K reach that same level of hip hop status
and mainstream appeal?
When I break commercial, when they put me on the radio,
when they put me on TV. And they scared of me, all the
DJs I met in the past, they friends with me, but they
scared of me. Flex is scared of me, all of them, the
girls they scared of me 'cause they know I'm talented.
Why would they be scared. Flex is already
established, car tours, shows, clubs.
Well, everything that new... It's a generation, like one
day someone's gonna take my place. Nothing lasts
forever. He's established, he's not gonna lose. And I
love flex, but Flex was one of the first that saw me
come up. I'm watching the competition on tape, Flex is
nodding his head watching me. I got love for the
DJs, I love to be in competitions, keeps me on my toes.
Kayslay used to sell my tapes. He used to bootleg
my mixtapes and turn it into a CD mixtape. Green
Lantern got his style from me, from my intros.
Female DJs got in front of the turntable. 50 Cent,
I put on 50 Cent, I put on Peedi Crack, Joe Buddens, I
put them into the game. Wu-Tang made me hot 'cause in
'96, '97 I had Wu-Tang exclusives, they helped me get
powerful in the mixtape game. A lot of rappers that
shined today, I put them on a mixtape, and another DJ
sees that and puts them on, next thing you know they get
famous. A lot of artists need to be thankful to
the mixtape game, and I'm thankful to the mixtape game
because it let me eat. I was able to pay my rent,
feed my daughter.
And you said you produce, right?
Um hm. And I write, I write songs, I just don't
know if I'm gonna sing them or if someone else is gonna
sing 'em (laughs). 'Cause that's a whole new
field, I want people to see me.
Are you involved with any other professional
activities outside of doing mixtapes?
Nope, that's what I do. that's my whole job, to keep my
name alive, to work as a DJ in clubs, basically.
What can we expect from you in the future
To see me everywhere (laughs) 'cause I'm 'bout to break
out of this shell. Enough is enough.
Anything else you'd like to add?
I want a
chance to do what I do best. Maybe a job, a real
job (laughs). What I do is already an under the
table job, but a job.
Email:
murdamamisent@aol.com
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